wollstonecraft mary a vindication of the rights of woman
Shelley Mary, Wollstonecraft Mary Mary and Maria. Matilda
These three works of fiction - two by Mary Wollstonecraft, the radical author of A Vindication of the Rights of Woman, and one by her daughter Mary Shelley, creator of Frankenstein - are powerfully emotive stories that combine passion with forceful feminist argument. In Mary Wollstonecraft's Mary, the heroine flees her young husband in order to nurse her dearest friend, Ann, and finds genuine love, while Maria tells of a desperate young woman who seeks consolation in the arms of another man after the loss of her child. And Mary Shelley's Matilda - suppressed for over a century - tells the story of a woman alienated from society by the incestuous passion of her father. Humane, compassionate and highly controversial, these stories demonstrate the strongly original genius of their authors.
2423 Р.
Wollstonecraft Mary A Vindication of the Rights of Woman
"It is time to effect a revolution in female manners - time to restore them their lost dignity - and make them, as a part of the human species, labour by reforming themselves to reform the world." A cornerstone of feminist literature, Mary Wollstonecraft's courageous argument defending the inherent worth of the female gender has inspired activists and ordinary readers since its first publication. By focusing on providing a good education for all women, she laid out a blueprint to create a better society, where women could pursue their own hopes and dreams and be more than the mere property of their husbands.
1742 Р.
Wollstonecraft Mary A Vindication of the Rights of Woman
Writing in an age when the call for the rights of man had brought revolution to America and France, Mary Wollstonecraft produced her own declaration of female independence in 1792. Passionate and forthright, A Vindication of the Rights of Woman attacked the prevailing view of docile, decorative femininity, and instead laid out the principles of emancipation: an equal education for girls and boys, an end to prejudice, and for women to become defined by their profession, not their partner. Mary Wollstonecraft's work was received with a mixture of admiration and outrage - one critic called her 'a hyena in petticoats' - yet it established her as the mother of modern feminism.
3578 Р.
Shelley М. The Last Man
The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late twenty-first century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.Mary Wollstonecraft Shelley (1797-1851) was the only daughter of Mary Wollstonecraft, author of Vindication of the Rights of Woman, and the radical philosopher William Godwin. Her mother died ten days after her birth and the young child was educated through contact with her father's intellectual circle and her own reading. She met Percy Bysshe Shelley in 1812; they eloped in July 1814. In the summer of 1816 she began her first and most famous novel, Frankenstein. Three of her children died in early infancy and in 1822 her husband was drowned. Mary returned to England with her surviving son and wrote novels, short stories and accounts of her travels; she was the first editor of P.B.Shelley's poetry and verse.
417 Р.
Shelley М. The Last Man
The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late twenty-first century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.Mary Wollstonecraft Shelley (1797-1851) was the only daughter of Mary Wollstonecraft, author of Vindication of the Rights of Woman, and the radical philosopher William Godwin. Her mother died ten days after her birth and the young child was educated through contact with her father's intellectual circle and her own reading. She met Percy Bysshe Shelley in 1812; they eloped in July 1814. In the summer of 1816 she began her first and most famous novel, Frankenstein. Three of her children died in early infancy and in 1822 her husband was drowned. Mary returned to England with her surviving son and wrote novels, short stories and accounts of her travels; she was the first editor of P.B.Shelley's poetry and verse.
417 Р.
Gordon Charlotte Romantic Outlaws. The Extraordinary Lives of Mary Wollstonecraft and Mary Shelley
English feminist Mary Wollstonecraft and author Mary Shelley were mother and daughter, yet these two extraordinary women never knew one another. Nevertheless, their passionate and pioneering lives remained closely intertwined, their choices, dreams and tragedies eerily similar. Both women became famous writers and wrote books that changed literary history, had passionate relationships with several men, were single mothers out of wedlock; both lived in exile, fought for their position in society, and interrogated ideas of how we should live. Romantic Outlaws takes the reader on a vivid journey across revolutionary France and Victorian England to explore in this ground-breaking dual biography of the author of A Vindication of the Rights of Woman and the author who wrote Frankenstein - mother and daughter - a pair of visionary women, who should have shared a life, but who instead share a powerful literary and feminist legacy.
2530 Р.
Shelley Mary The Last Man
With an Introduction and Notes by Dr Pamela Bickley, The Godolphin and Latymer School, formerly of Royal Holloway, University of London. The Last Man is Man' Shelley's apocalyptic fantasy of the end of human civilization. Set in the late twenty-first century, the novel inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature. Mary Wollstonecraft Shelley (1797-1851) was the only daughter of Mary Wollstonecraft, author of Vindication of the Rights of Woman, and the radical philosopher William Godwin. Her mother died ten days after her birth and the young child was educated through contact with her father's intellectual circle and her own reading. She met Percy Bysshe Shelley in 1812; they eloped in July 1814. In the summer oi 1816 she began her first and most famous novel, Frankenstein. Three of her children died in early infancy and in 1822 her husband was drowned. Mary returned to England with her surviving son and wrote novels, short stories and accounts of her travels; she was the first editor of P. B. Shelley's poetry and verse.
681 Р.
Wollstonecraft M. The Vindications
Written as a passionate riposte to Talleyrand’s report to the French National Assembly, in which he declared that women needed only a domestic education, A Vindication of the Rights of Woman attacked the traditional view of decorative femininity and deplored the educational restrictions and the "mistaken notions of female excellence" that degraded women and kept them in a state of "slavish dependence". Indeed, independence, "the grand blessing of life", was at the heart of Wollstonecraft’s philosophy, and it is a mark of the profound influence of her words that Virginia Woolf, writing almost a century and a half later, could state that "her originality has become our commonplace". As a companion piece, this volume also includes A Vindication of the Rights of Men - an earlier influential pamphlet advocating republicanism and social equality. The two Vindications, taken together, showcase Wollstonecraft’s rhetorical talents, as well as her brilliance and depth of thought as an anti-establishment polemist and social reformer.
1615 Р.
Wollstonecraft M. The Vindications
Written as a passionate riposte to Talleyrand’s report to the French National Assembly, in which he declared that women needed only a domestic education, A Vindication of the Rights of Woman attacked the traditional view of decorative femininity and deplored the educational restrictions and the "mistaken notions of female excellence" that degraded women and kept them in a state of "slavish dependence". Indeed, independence, "the grand blessing of life", was at the heart of Wollstonecraft’s philosophy, and it is a mark of the profound influence of her words that Virginia Woolf, writing almost a century and a half later, could state that "her originality has become our commonplace". As a companion piece, this volume also includes A Vindication of the Rights of Men - an earlier influential pamphlet advocating republicanism and social equality. The two Vindications, taken together, showcase Wollstonecraft’s rhetorical talents, as well as her brilliance and depth of thought as an anti-establishment polemist and social reformer.
1615 Р.
Shelley Mary Mathilda
Mary Wollstonecraft Shelley (1797-1851) was an English novelist, dramatist, and short story writer, universally known for her Gothic novel "Frankenstein: or, The Modern Prometheus." "Mathilda" is a fictional novel that tells the story of a woman alienated from society by the actions of her father, who confesses his incestuous love for her. The main hero, Mathilda, a young woman in her twenties on the verge of death, tells this story trying to explain her actions to her friend.
462 Р.
Peal Robert Meet the Georgians. Epic Tales from Britain's Wildest Century
Anne Bonny and Mary Read, pirate queens of the Caribbean Tipu Sultan, the Indian ruler who kept the British at bay Olaudah Equiano, the former slave whose story shocked the world Mary Wollstonecraft, the feminist who fought for women’s rights Ladies of Llangollen, the lovers who built paradise in a Welsh valley ‘Mad, bad and dangerous to know’ is how Lord Byron, the poet who drank wine from a monk’s skull and slept with his half-sister, was described by one of his many lovers. But ‘mad, bad and dangerous’ serves as a good description for the entire Georgian period: often neglected, the hundred or so years between the coronation of George I in 1714 and the death of George IV in 1830 were years when the modern world was formed, and changes came thick and fast. Across this century, new foods – pineapples, coffee and pepper – suddenly became available in the shops. Fashion exploded into a riot of colour, frilly shirts and wigs. Gin was drunk like it was water. Demands for women’s rights were heard, and it became possible to question the existence of God without fear of prompt execution. These exciting new developments came, of course, from the expanding British Empire. Britain’s wealth and its sudden access to chocolate, chillies and spices, was entirely bound up with the conquest of overseas territories and the miserable suffering of enslaved workers. This is the backdrop to Robert Peal’s new book, which introduces the Georgian era through the diverse lives of twelve ‘magnificent – if not moral’ people who defined it.
3559 Р.
Peal Robert Meet the Georgians. Epic Tales from Britain's Wildest Century
Anne Bonny and Mary Read, pirate queens of the Caribbean Tipu Sultan, the Indian ruler who kept the British at bay Olaudah Equiano, the former slave whose story shocked the world Mary Wollstonecraft, the feminist who fought for women's rights Ladies of Llangollen, the lovers who built paradise in a Welsh valley 'Mad, bad and dangerous to know' is how Lord Byron, the poet who drank wine from a monk's skull and slept with his half-sister, was described by one of his many lovers. But 'mad, bad and dangerous' serves as a good description for the entire Georgian period: often neglected, the hundred or so years between the coronation of George I in 1714 and the death of George IV in 1830 were years when the modern world was formed, and changes came thick and fast. Across this century, new foods - pineapples, coffee and pepper - suddenly became available in the shops. Fashion exploded into a riot of colour, frilly shirts and wigs. Gin was drunk like it was water. Demands for women's rights were heard, and it became possible to question the existence of God without fear of prompt execution. These exciting new developments came, of course, from the expanding British Empire. Britain's wealth and its sudden access to chocolate, chillies and spices, was entirely bound up with the conquest of overseas territories and the miserable suffering of enslaved workers. This is the backdrop to Robert Peal's new book, which introduces the Georgian era through the diverse lives of twelve 'magnificent - if not moral' people who defined it.
1123 Р.
Shelley Mary Lodore
Mary Wollstonecraft Shelley (1797-1851) was an English novelist, dramatist, and short story writer, universally known for her Gothic novel "Frankenstein: or, The Modern Prometheus". "Lodore" is the novel focused on the theme of power and responsibility for the family. The story follows the wife and daughter of Lord Lodore, who is killed in a duel at the end of the first volume, leaving a trail of legal, financial, and familial obstacles for the remaining family to solve.
1062 Р.
Lodore
Mary Wollstonecraft Shelley (1797-1851) was an English novelist, dramatist, and short story writer, universally known for her Gothic novel "Frankenstein: or, The Modern Prometheus". "Lodore" is the novel focused on the theme of power and responsibility for the family. The story follows the wife and daughter of Lord Lodore, who is killed in a duel at the end of the first volume, leaving a trail of legal, financial, and familial obstacles for the remaining family to solve.
199 Р.
Hay Daisy Dinner with Joseph Johnson. Books and Friendship in a Revolutionary Age
Once a week, in late eighteenth-century London, writers of contrasting politics and personalities gathered around a dining table. The host was Joseph Johnson, publisher and bookseller: a man at the heart of literary life. He was joined at dinner by a shifting constellation of extraordinary people who remade the literary world, including the Swiss artist Henry Fuseli, his chief engraver William Blake and scientists Joseph Priestley and Benjamin Franklin. William Wordsworth and Samuel Taylor Coleridge were among the attendees, as were the poet Anna Barbauld, the novelist Maria Edgeworth and the philosopher Mary Wollstonecraft. Johnson's years as a maker of books saw profound political, social, cultural and religious shifts in Britain and abroad. Several of his authors were involved in the struggles for reform; they pioneered revolutions in medical treatment, proclaimed the rights of women and children and charted the evolution of Britain's relationship with America and Europe. Johnson made their voices heard even when external forces conspired to silence them. In this remarkable portrait of a revolutionary age, Daisy Hay captures a changing nation through the stories of the men and women who wrote it into being, and whose ideas still influence us today.
6523 Р.
Williams Kate Rival Queens. The Betrayal of Mary, Queen of Scots
Mary and Elizabeth: cousins, rivals, queens. They allied and fought and plotted - but could never escape their bond... A story which inspired the Hollywood film MARY QUEEN OF SCOTS. At the end of the Tudor era, two queens ruled one island. But sixteenth-century Europe was a man’s world and powerful voices believed that no woman could govern. All around Mary and Elizabeth were sycophants, spies and detractors who wanted their dominion, their favour and their bodies. Elizabeth and Mary shared the struggle to be both woman and queen. But the forces rising against the two regnants, and the conflicts of love and dynasty, drove them apart. For Mary, Elizabeth was a fellow queen with whom she dreamed of a lasting friendship. For Elizabeth, Mary was a threat. It was a schism that would end in secret assassination plots, devastating betrayal and, eventually, a terrible final act. Mary is often seen as a defeated or tragic sovereign, but Rival Queens reveals instead how she attempted to reinvent queenship and the monarchy – in one of the hardest fights in royal history.
2622 Р.