tolkien john ronald reuel secret vice tolkien on invented languages
Tolkien John Ronald Reuel Secret Vice. Tolkien on Invented Languages
First ever critical study of Tolkien's little-known essay, which reveals how language invention shaped the creation of Middle-earth and beyond, to George R R Martin's Game of Thrones. J.R.R. Tolkien's linguistic invention was a fundamental part of his artistic output, to the extent that later on in life he attributed the existence of his mythology to the desire to give his languages a home and peoples to speak them. As Tolkien puts it in 'A Secret Vice', 'the making of language and mythology are related functions''. In the 1930s, Tolkien composed and delivered two lectures, in which he explored these two key elements of his sub-creative methodology. The second of these, the seminal Andrew Lang Lecture for 1938-9, 'On Fairy-Stories', which he delivered at the University of St Andrews in Scotland, is well known. But many years before, in 1931, Tolkien gave a talk to a literary society entitled 'A Hobby for the Home', where he unveiled for the first time to a listening public the art that he had both himself encountered and been involved with since his earliest childhood: 'the construction of imaginary languages in full or outline for amusement'. This talk would be edited by Christopher Tolkien for inclusion as 'A Secret Vice' in The Monsters and the Critics and Other Essays and serves as the principal exposition of Tolkien's art of inventing languages. This new critical edition, which includes previously unpublished notes and drafts by Tolkien connected with the essay, including his 'Essay on Phonetic Symbolism', goes some way towards re-opening the debate on the importance of linguistic invention in Tolkien's mythology and the role of imaginary languages in fantasy literature.
2895 Р.
Tolkien John Ronald Reuel Secret Vice. Tolkien on Invented Languages
First ever critical study of Tolkien's little-known essay, which reveals how language invention shaped the creation of Middle-earth and beyond, to George R R Martin's Game of Thrones. J.R.R. Tolkien's linguistic invention was a fundamental part of his artistic output, to the extent that later on in life he attributed the existence of his mythology to the desire to give his languages a home and peoples to speak them. As Tolkien puts it in 'A Secret Vice', 'the making of language and mythology are related functions''. In the 1930s, Tolkien composed and delivered two lectures, in which he explored these two key elements of his sub-creative methodology. The second of these, the seminal Andrew Lang Lecture for 1938-9, 'On Fairy-Stories', which he delivered at the University of St Andrews in Scotland, is well known. But many years before, in 1931, Tolkien gave a talk to a literary society entitled 'A Hobby for the Home', where he unveiled for the first time to a listening public the art that he had both himself encountered and been involved with since his earliest childhood: 'the construction of imaginary languages in full or outline for amusement'. This talk would be edited by Christopher Tolkien for inclusion as 'A Secret Vice' in The Monsters and the Critics and Other Essays and serves as the principal exposition of Tolkien's art of inventing languages. This new critical edition, which includes previously unpublished notes and drafts by Tolkien connected with the essay, including his 'Essay on Phonetic Symbolism', goes some way towards re-opening the debate on the importance of linguistic invention in Tolkien's mythology and the role of imaginary languages in fantasy literature.
1106 Р.
Tolkien John Ronald Reuel Tolkien On Fairy-stories
A new expanded edition of Tolkien’s most famous, and most important essay, which defined his conception of fantasy as a literary form, and which led to the writing of The Lord of the Rings. Accompanied by a critical study of the history and writing of the text. J.R.R. Tolkien's "On Fairy-stories" is his most-studied and most-quoted essay, an exemplary personal statement of his views on the role of imagination in literature, and an intellectual tour de force vital for understanding Tolkien's achievement in the writing of The Lord of the Rings. "On Fairy-stories" comprises about 18,000 words. What is little-known is that when Tolkien expanded the essay in 1943, he wrote many more pages of his views that were originally condensed into or cut from the published version. An estimate is difficult, but these unpublished passages perhaps amount to half again as much writing as the essay itself. These passages contain important elaborations of his views on other writers, and their publication represents a significant addition to Tolkien studies. Included in this new critical study of the work are: • An introductory essay setting the stage for Tolkien's 1939 lecture (the origin of the essay) and placing it within a historical context. • A history of the writing of 'On Fairy-stories', beginning with coverage of the original lecture as delivered, and continuing through to first publication in 1947. • The essay proper as published in corrected form in Tree and Leaf (1964). • Commentary on the allusions in the text, and notes about the revisions Tolkien made to the text as published in Tree and Leaf. • Important material not included in the essay as published, with commentary by the editors. Contained within “On Fairy-stories” are the roots of the tree of tales that bore such glittering fruit in Tolkien’s published and unpublished work. Here, at last, Flieger and Anderson reveal through literary archaeology the extraordinary genesis of this seminal work and discuss, in their engaging commentary, how what Tolkien discovered during the writing of the essay would shape his writing for the rest of his life.
1435 Р.
Tolkien John Ronald Reuel The Tolkien Treasury
De luxe boxed gift set of Tolkien’s most popular and charming tales; full of wit and humour, giants, dragons, magic and more, they are collected together for the first time and will delight readers of all ages. Farmer Giles did not look like a hero. He was fat and red-bearded and enjoyed a slow, comfortable life. Then one day a rather deaf and short-sighted giant blundered on to his land… The Adventures of Tom Bombadil collects hobbit-verses from the ‘Red Book’ and other poems relating legends and jests of the Shire at the end of the Third Age. Smith of Wootton Major tells of the preparation of the Great Cake to mark the Feast of Good Children and the magical events which follow. Roverandom is a real dog who is magically transformed into a toy and is forced to seek out the wizard who wronged him in order to be returned to normal. The story was written to console Tolkien's four-year-old son, Michael, who lost a beloved toy dog on the beach.
6743 Р.
Tolkien John Ronald Reuel Roverandom
J.R.R. Tolkien's fantasy story about the adventures of a bewitched toy dog, written before The Hobbit. While on holiday in 1925, four-year-old Michael Tolkien lost his beloved toy dog on the beach at Filey in Yorkshire. To console him, his father, J.R.R.Tolkien, improvised a story about Rover, a real dog who is magically transformed into a toy and is forced to seek out the wizard who wronged him in order to be returned to normal. This charming tale, peopled by a sand-sorcerer and a terrible dragon, by the king of the sea and the Man-in-the-Moon, was Tolkien's first full-length children's book, written before The Hobbit. Now, nearly 90 years later, the adventures of Rover or, for reasons that become clear in the story, Roverandom' are published in this delightful pocket hardback edition. Rich in wit and wordplay, Roverandom is edited and introduced by Tolkien experts Christina Scull and Wayne G. Hammond, and includes Tolkien's own delightful illustrations.
1896 Р.
Tolkien John Ronald Reuel Hobbit
Smaug certainly looked fast asleep, when Bilbo peeped once more from the entrance. He was just about to step out on to the floor when he caught a sudden thin ray of red from under the drooping lid of Smaug's left eye. He was only pretending to sleep! He was watching the tunnel entrance!Whisked from his comfortable hobbit-hole by Gandalf the wizard and a band of dwarves. Bilbo Baggins finds himself caught up in a plot to raid the treasure hoard of Smaug the Magnificent, a large and very dangerous dragon...
2576 Р.
Tolkien John Ronald Reuel Beowulf
The translation of Beowulf by J.R.R. Tolkien was an early work, very distinctive in its mode, completed in 1926: he returned to it later to make hasty corrections, but seems never to have considered its publication. This edition is twofold, for there exists an illuminating commentary on the text of the poem by the translator himself, in the written form of a series of lectures given at Oxford in the 1930s; and from these lectures a substantial selection has been made, to form also a commentary on the translation in this book. From his creative attention to detail in these lectures there arises a sense of the immediacy and clarity of his vision. It is as if he entered into the imagined past: standing beside Beowulf and his men shaking out their mail-shirts as they beached their ship on the coast of Denmark, listening to the rising anger of Beowulf at the taunting of Unferth, or looking up in amazement at Grendel’s terrible hand set under the roof of Heorot. But the commentary in this book includes also much from those lectures in which, while always anchored in the text, he expressed his wider perceptions. He looks closely at the dragon that would slay Beowulf ‘snuffling in baffled rage and injured greed when he discovers the theft of the cup’; but he rebuts the notion that this is ‘a mere treasure story’, ‘just another dragon tale’. He turns to the lines that tell of the burying of the golden things long ago, and observes that it is ‘the feeling for the treasure itself, this sad history’ that raises it to another level. ‘The whole thing is sombre, tragic, sinister, curiously real. The “treasure” is not just some lucky wealth that will enable the finder to have a good time, or marry the princess. It is laden with history, leading back into the dark heathen ages beyond the memory of song, but not beyond the reach of imagination.’ Sellic Spell, a ‘marvellous tale’, is a story written by Tolkien suggesting what might have been the form and style of an Old English folk-tale of Beowulf, in which there was no association with the ‘historical legends’ of the Northern kingdoms.
13424 Р.
Tolkien John Ronald Reuel Roverandom
Rover, un chiot, a mordu un sorcier. Pour le punir, ce dernier le transforme en jouet et le met en vente. Offert a un petit garcon, Fistondeux, Rover decouvre qu'il prend vie la nuit venue... Il finit par s'echapper et rencontre un mage qui l'envoie sur la lune retrouver sa forme initiale. La-haut, Rover, devenu Roverandom, croisera nombre de personnages fantasques et vivra d'incroyables aventures... On retrouve dans ce conte merveilleux, qui seduira petits et grands, tout le travail sur la langue, l'art du recit et la richesse du monde de Tolkien.
2076 Р.
Tolkien John Ronald Reuel Pictures by J.R.R. Tolkien
With Christopher Tolkien as your guide, take a tour through this colourful gallery of enchanting art produced by J.R.R. Tolkien and presented in an elegant new slipcased edition. This collection of pictures, with text by Christopher Tolkien, now reissued after almost 30 years confirms J.R.R. Tolkien’s considerable talent as an artist. It provides fascinating insight into his visual conception of many of the places and events familiar to readers of The Hobbit, The Lord of the Rings and The Silmarillion. Examples of his art range from delicate watercolours depicting Rivendell, the Forest of Lothlorien, Smaug, and Old Man Willow, to drawings and sketches of Moria Gate and Minas Tirith. Together they form a comprehensive collection of Tolkien’s own illustrations for his most popular books. Also included are many of his beautiful designs showing patterns of flowers and trees, friezes, tapestries and heraldic devices associated with the world of Middle-earth. In their variety and scope they provide abundant visual evidence of the richness of his imagination. This enchanting gallery was personally selected by Christopher Tolkien who, through detailed notes on the sources for each picture, provides unique insight into the artistic vision of his father, J.R.R. Tolkien.
5311 Р.
Tolkien J. Secret vice
First ever critical study of Tolkien’s little-known essay, which reveals how language invention shaped the creation of Middle-earth and beyond, to George R.R. Martin’s Game of Thrones. J.R.R. Tolkien’s linguistic invention was a fundamental part of his artistic output, to the extent that later on in life he attributed the existence of his mythology to the desire to give his languages a home and peoples to speak them. As Tolkien puts it in ‘A Secret Vice’, ‘the making of language and mythology are related functions’. In the 1930s, Tolkien composed and delivered two lectures, in which he explored these two key elements of his sub-creative methodology. The second of these, the seminal Andrew Lang Lecture for 1938-9, ‘On Fairy-Stories’, which he delivered at the University of St Andrews in Scotland, is well known. But many years before, in 1931, Tolkien gave a talk to a literary society entitled ‘A Hobby for the Home’, where he unveiled for the first time to a listening public the art that he had both himself encountered and been involved with since his earliest childhood: ‘the construction of imaginary languages in full or outline for amusement’. This talk would be edited by Christopher Tolkien for inclusion as ‘A Secret Vice’ in The Monsters and the Critics and Other Essays and serves as the principal exposition of Tolkien’s art of inventing languages. This new critical edition, which includes previously unpublished notes and drafts by Tolkien connected with the essay, including his ‘Essay on Phonetic Symbolism’, goes some way towards re-opening the debate on the importance of linguistic invention in Tolkien’s mythology and the role of imaginary languages in fantasy literature.
965 Р.
Tolkien J. Secret vice
First ever critical study of Tolkien’s little-known essay, which reveals how language invention shaped the creation of Middle-earth and beyond, to George R.R. Martin’s Game of Thrones. J.R.R. Tolkien’s linguistic invention was a fundamental part of his artistic output, to the extent that later on in life he attributed the existence of his mythology to the desire to give his languages a home and peoples to speak them. As Tolkien puts it in ‘A Secret Vice’, ‘the making of language and mythology are related functions’. In the 1930s, Tolkien composed and delivered two lectures, in which he explored these two key elements of his sub-creative methodology. The second of these, the seminal Andrew Lang Lecture for 1938-9, ‘On Fairy-Stories’, which he delivered at the University of St Andrews in Scotland, is well known. But many years before, in 1931, Tolkien gave a talk to a literary society entitled ‘A Hobby for the Home’, where he unveiled for the first time to a listening public the art that he had both himself encountered and been involved with since his earliest childhood: ‘the construction of imaginary languages in full or outline for amusement’. This talk would be edited by Christopher Tolkien for inclusion as ‘A Secret Vice’ in The Monsters and the Critics and Other Essays and serves as the principal exposition of Tolkien’s art of inventing languages. This new critical edition, which includes previously unpublished notes and drafts by Tolkien connected with the essay, including his ‘Essay on Phonetic Symbolism’, goes some way towards re-opening the debate on the importance of linguistic invention in Tolkien’s mythology and the role of imaginary languages in fantasy literature.
965 Р.
Tolkien John Ronald Reuel The Hobbit
The first new illustrated edition of The Hobbit for more than 15 years contains 150 brand new colour illustrations. Artist Jemima Catlin's charming and lively interpretation brings Tolkien's beloved characters to life in a way that will entice and entertain a new generation of readers. Bilbo Baggins is a hobbit who enjoys a comfortable and quiet life. His contentment is disturbed one day when the wizard, Gandalf, and the dwarves arrive to take him away on an adventure. Smaug certainly looked fast asleep, when Bilbo peeped once more from the entrance. He was just about to step out on to the floor when he caught a sudden thin ray of red from under the drooping lid of Smaug's left eye. He was only pretending to sleep! He was watching the tunnel entrance! Whisked from his comfortable hobbit-hole by Gandalf the wizard and a band of dwarves. Bilbo Baggins finds himself caught up in a plot to raid the treasure hoard of Smaug the Magnificent, a large and very dangerous dragon...
2680 Р.
Tolkien John Ronald Reuel The Hobbit
The classic bestseller behind this year's biggest movie, this film tie-in edition features the complete story of Bilbo Baggins' adventures in Middle-earth as shown in the film trilogy, with a striking cover image from Peter Jackson's film adaptation and drawings and maps by J.R.R. Tolkien. Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely travelling further than the pantry of his hobbit-hole in Bag End. But his contentment is disturbed when the wizard, Gandalf, and a company of thirteen dwarves arrive on his doorstep one day to whisk him away on an unexpected journey 'there and back again'. They have a plot to raid the treasure hoard of Smaug the Magnificent, a large and very dangerous dragon...The prelude to The Lord of the Rings, The Hobbit has sold many millions of copies since its publication in 1937, establishing itself as one of the most beloved and influential books of the twentieth century.
1437 Р.
Tolkien John Ronald Reuel The Silmarillion
A new B-format edition of this novel, designed to take fans of The Hobbit and The Lord of the Rings deeper into the myths and legends of Middle-earth The Silmarillion is an account of the Elder Days, of the First Age of Tolkien's world. It is the ancient drama to which the characters in The Lord of the Rings look back, and in whose events some of them such as Elrond and Galadriel took part. The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-Earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor. Included in the book are several shorter works. The Ainulindale is a myth of the Creation and in the Valaquenta the nature and powers of each of the gods is described. The Akallabeth recounts the downfall of the great island kingdom of Numenor at the end of the Second Age and Of the Rings of Power tells of the great events at the end of the Third Age, as narrated in The Lord of the Rings. This pivotal work features the revised, corrected text and includes, by way of an introduction, a fascinating letter written by Tolkien in 1951 in which he gives a full explanation of how he conceived the early Ages of Middle-earth.
1951 Р.
Tolkien John Ronald Reuel Unfinished Tales
The popular paperback edition of this fascinating collection of stories, which continue the tales of The Lord of the Rings and The Silmarillion and contains an alternative version of The Children of Hurin. Unfinished Tales is a collection of narratives ranging in time from the Elder Days of Middle-earth to the end of the War of the Ring, and provides those who have read The Lord of the Rings with a whole collection of background and new stories from the twentieth century's most acclaimed popular author. The book concentrates on the realm of Middle-earth and comprises such elements as Gandalf's lively account of how it was that he came to send the Dwarves to the celebrated party at Bag-End, the emergence of the sea-god Ulmo before the eyes of Tuor on the coast of Beleriand, and an exact description of the military organization of the Riders of Rohan. Unfinished Tales also contains the only story about the long ages of Numenor before its downfall, and all that is known about such matters as the Five Wizards, the Palantiri and the legend of Amroth. The tales were collated and edited by JRR Tolkien's son and literary heir, Christopher Tolkien, who provides a short commentary on each story, helping the reader to fill in the gaps and put each story into the context of the rest of his father's writings.
2190 Р.
Tolkien John Ronald Reuel The Silmarillion
Designed to take fans of The Hobbit and The Lord of the Rings deeper into the myths and legends of Middle-earth The Silmarillion is an account of the Elder Days, of the First Age of Tolkien's world. It is the ancient drama to which the characters in The Lord of the Rings look back, and in whose events some of them such as Elrond and Galadriel took part. The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-Earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor. Included in the book are several shorter works. The Ainulindale is a myth of the Creation and in the Valaquenta the nature and powers of each of the gods is described. The Akallabeth recounts the downfall of the great island kingdom of Numenor at the end of the Second Age and Of the Rings of Power tells of the great events at the end of the Third Age, as narrated in The Lord of the Rings. This pivotal work features the revised, corrected text and includes, by way of an introduction, a fascinating letter written by Tolkien in 1951 in which he gives a full explanation of how he conceived the early Ages of Middle-earth.
1077 Р.