Laurence Sterne's The Life and Opinions of Tristram Shandy, Gentleman is a huge literary paradox, for it is both a novel and an anti-novel. As a comic novel replete with bawdy humour and generous sentiments, it introduces us to a vivid group of memorable characters, variously eccentric, farcical and endearing. As an anti-novel, it is a deliberately tantalising and exuberantly egoistic work, ostentatiously digressive, involving the reader in the labyrinthine creation of a purported autobiography. This mercurial eighteenth-century text thus anticipates modernism and postmodernism. Vibrant and bizarre, Tristram Shandy provides an unforgettable experience. We may see why Nietzsche termed Sterne 'the most liberated spirit of all time'.
824 Р.
A forerunner of psychological fiction, and considered a landmark work for its innovative use of narrative devices, Tristram Shandy was both celebrated and vilified when first published in 1759. While the narrative's endless digressions drew criticism, the novel's bawdy humor made it a cause for celebration in eighteenth-century London. Originally released in nine separate volumes, it is literature's famed "cock and bull" story, reveling in parody and satire. Laurence Sterne's topsy-turvy masterpiece is, in effect, a novel about writing a novel—producing a fictional world that is as strange and wonderful as the process of its creation. Impulsive, addictive, and absurd, it begins at the moment of Tristram Shandy's conception and shifts relentlessly into a hilarious series of disconnected episodes starring the hero's family, friends, and neighbors. The memorable cast of characters wanders in and out of the playful web of Sterne's deliberately visual text treatment, which includes endless dashes and asterisks, one-sentence chapters, unusual graphic renderings, and blank pages that invite the reader to interact with the book. Impossible to categorize—and absorbing and surprising even today—Tristram Shandy is a rare celebration of the art of fiction. It remains a beguiling milestone in the history of literature.
970 Р.
Sterne's utterly original novel - the meandering, maddening 'autobiography' of one of literature's oldest comic characters. Doomed to become the ‘sport of fortune’ by an interruption at the crucial moment of conception, Tristram Shandy’s life lurches from one mishap to another: his nose crushed by the doctor’s forceps during birth, christened with the wrong name, an unfortunate incident involving a slamming sash window… Discover the anti-autobiography of the hilarious Tristram Shandy.
3062 Р.
Purporting to be an autobiography of the antihero Tristram Shandy, Laurence Sterne’s novel is a comic masterpiece of digression, egoism and sensationalism, as its hilarious asides, explanations and host of memorable secondary characters – such as Uncle Toby, Dr Slop, Parson Yorick and Widow Wadman – take centre stage, at the expense of the actual life events the book sets out to depict. A humorous compendium of European thought and literature – pastiching the likes of Locke and Bacon and referencing Pope, Swift, Cervantes and Rabelais – emerges amid the convoluted accounts of Tristram’s conception, misnaming and accidental circumcision by a sash window, in a shrewd narrative that examines the role and nature of language itself. A very ambitious editorial project which took our team more than a year to bring to perfection. The fresh editorial and typographical approach is of the highest standard, and makes this timeless classic come alive. It’s been newly annotated with a thorough but accessible approach, and is offered at a very reasonable price. Edited and typeset by Alessandro Gallenzi. Annotated by Alex Middleton.
1480 Р.
'L-d! said my mother, what is all this story about? - A Cock and a Bull, said Yorick - And one of the best of its kind, I ever heard' Laurence Sterne's great masterpiece of bawdy humour and rich satire defies any attempt to categorize it, with a rich metafictional narrative that might classify it as the first 'postmodern' novel. Part novel, part digression, its gloriously disordered narrative interweaves the birth and life of the unfortunate 'hero' Tristram Shandy, the eccentric philosophy of his father Walter, the amours and military obsessions of Uncle Toby, and a host of other characters, including Dr Slop, Corporal Trim and the parson Yorick. A joyful celebration of the endless possibilities of the art of fiction, Tristram Shandy is also a wry demonstration of its limitations. The text and notes of this volume are based on the acclaimed Florida Edition, with a critical introduction by Melvyn New and Christopher Ricks's introductory essay from the first Penguin Classics edition.
2384 Р.
'L-d! said my mother, what is all this story about? - A COCK and a BULL, said Yorick - And one of the best of its kind, I ever heard' One of the greatest novels ever written, now in a wonderful new clothbound edition Laurence Sterne's great masterpiece of bawdy humour and rich satire defies any attempt to categorize it, with a rich metafictional narrative that might classify it as the first 'postmodern' novel. Part novel, part digression, its gloriously disordered narrative interweaves the birth and life of the unfortunate 'hero' Tristram Shandy, the eccentric philosophy of his father Walter, the amours and military obsessions of Uncle Toby, and a host of other characters, including Dr Slop, Corporal Trim and the parson Yorick. A joyful celebration of the endless possibilities of the art of fiction, Tristram Shandy is also a wry demonstration of its limitations. The text and notes of this volume are based on the acclaimed Florida Edition, with a critical introduction by Melvyn New and Christopher Ricks's introductory essay from the first Penguin Classics edition.
7344 Р.
The Penguin English Library Edition of Tristram Shandy by Laurence Sterne 'I am got, I know not how, into a cold unmetaphorical vein of infamous writing, and cannot take a plumb-lift out of it for my soul; so must be obliged to go on writing like a Dutch commentator to the end of the chapter, unless something be done...' Laurence Sterne's great masterpiece of bawdy humour and rich satire defies any attempt to categorize it. Part novel, part digression, its gloriously disordered narrative interweaves the birth and life of the unfortunate 'hero' Tristram Shandy, the eccentric philosophy of his father Walter, the amours and military obsessions of Uncle Toby, and a host of other characters, including Dr Slop, Corporal Trim and the parson Yorick. A joyful celebration of the endless possibilities of the art of fiction, Tristram Shandy is also a wry demonstration of its limitations. The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.
2179 Р.
A furiously witty response to Tobias Smollett's curmudgeonly 'Travels through France and Italy', Laurence Sterne's A Sentimental Journey through France and Italy became a hugely influential work of travel writing in its own right. This Penguin Classics edition includes an introduction and notes by Paul Goring. When Yorick, the roving narrator of Sterne's innovative final novel, sets off for France on a whim, he produces no ordinary travelogue. Jolting along in his coach from Calais, through Paris, and on towards the Italian border, the amiable parson is blithely unconcerned by famous views or monuments, but he engages us with tales of his encounters with all manner of people, from counts and noblewomen to beggars and chambermaids. And as drama piles upon drama, anecdote, flirtation and digression, Yorick's destination takes second place to an exhilarating voyage of emotional and erotic exploration. Interweaving sharp wit with warm humour and irony with genuine feeling, A Sentimental Journey paints a captivating picture of an Englishman's adventures abroad. In his introduction, Paul Goring discusses Sterne's literary career and his semi-autobiographical depiction of Yorick, and sets the novel within the context of eighteenth-century travel writing and the vogue of sentimental fiction. This edition also includes a chronology, updated further reading and notes. Laurence Sterne (1713-1768) graduated from Cambridge in 1737 and took holy orders, becoming a prebend in York Cathedral. His masterpiece, The Life and Opinions of Tristram Shandy, Gentleman made him a celebrity but ill-health necessitated recuperative travel and A Sentimental Journey grew out of a seven-month trip through France and Italy. He died the year it was published, 1768.
1840 Р.
This ribald, high-spirited novel, whose author was described by Diderot as 'the Rabelais of the English', provoked literary scandal when it was first published in 1760. With its ingenious structure and its exuberant pretence of being an autobiography, Tristram Shandy fascinates like a verbal game of chess. Milan Kundera has said that it is the eighteenth-century novel he loves best.
4142 Р.
This is the confession of Laurence Jago. Clerk. Gentleman. Spy. July 1794, and London is filled with rumours of revolution. The war against the French is not going in Britain's favour, and negotiations with America are on a knife edge. Laurence Jago, Foreign Office clerk, is ever more reliant on opium - the Black Drop - to ease his nightmares. A highly sensitive letter, whose contents could lead to the destruction of the British Army, has been leaked to the press and Laurence is a suspect. Then he discovers the body of a fellow clerk - a supposed suicide - and it seems clear where the blame truly lies. But Laurence is certain both of his friend's innocence, and that he was murdered. But after years of hiding his own secrets from his powerful employers, can Laurence find the true culprit without ending up on the gallows himself?
1615 Р.
The 1001 Ways To series addresses themes of major concern for the vast majority of people. Who doesn't want to be happy, wise, successful, confident, enlightened, patient, tranquil, and capable of attracting and keeping good friends? Featuring profound, humorous, and life-enhancing opinions from great minds throughout history, these books provide a treasury of thoughtful contributions from thinkers of different cultures over the centuries and genuine insights into states of being to which we all aspire.From learning how to unlock your inner confidence and becoming the person you always wanted to be, to understanding the exact meaning and importance of patience, this series will help guide you on your way with wise and witty opinions on some of the most contradictory and elusive human goals.
1742 Р.
What do you do when there's nothing left to lose? A tale about finding happiness from the Sunday Times bestselling and readers' favourite Carole Matthews. Lily and Laurence had it all: the money, the car, a beautiful home in the Buckinghamshire countryside. Then Laurence loses his job and everything disappears. With nowhere to turn, Lily and Laurence are forced to take their two young children and move to a flea-ridden council house on a notoriously rough estate. As they try to pick up the pieces of their shattered lives, Lily constantly dreams of returning to her old, luxurious life. Will her dream come true or will she learn that money doesn't always buy happiness?
2363 Р.
Tomcat Murr is a loveable, self-taught animal who has written his own autobiography. But a printer's error causes his story to be accidentally mixed and spliced with a book about the composer Johannes Kreisler. As the two versions break off and alternate at dramatic moments, two wildly different characters emerge from the confusion - Murr, the confident scholar, lover, carouser and brawler, and the moody, hypochondriac genius Kreisler. In his exuberant and bizarre novel, Hoffmann brilliantly evokes the fantastic, the ridiculous and the sublime within the humdrum bustle of daily life, making The Life and Opinions of the Tomcat Murr (1820-22) one of the funniest and strangest novels of the nineteenth century.
3100 Р.
In the eighteenth century, Laurence Sterne explores the temptations of the French capital in a teasing study of foreign mores and Restif de la Bretonne provides an eye-witness account of the Revolution. From the 1800s, Hugo, Balzac, Flaubert, and Zola offer fascinating portraits of the city's teeming humanity; the Goncourt brothers chronicle the explosion of artistic talent; Huysmans describes an evening at the Folies Bergere. Colette chronicles the pitfalls for a young girl in the decadent city of the early twentieth century; F. Scott Fitzgerald revels in the city's glamour; Jean Rhys's lost heroines wander from cafe to cafe; James Baldwin celebrates its sexual freedoms; and Raymond Queneau gleefully reinvents the language of the street. In our time, Michel Tournier's North African immigrant walks a camel along the boulevards, while Nobel Laureate Patrick Modiano brilliantly maps the city's many arrondissements. The alluring power of Paris has never dimmed and it is richly captured in all its facets in these compelling and seductive tales.
2673 Р.
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