new classicism
New classicism
New Classicism provides an in-depth look at a form of design that appeared lost forever with the rise of modernism in architecture. But now, with an intense revival of interest in classical design, and with the demise in popularity of the subsequent postmodernism, new vigor has infused traditional forms and motifs. Focusing on thirty-four projects by the best classically oriented firms in the United States and Great Britain, New Classicism examines this burgeoning new vogue for the many varieties of traditional classical design, such as Georgian, Palladian, neoclassical, Greek Revival, Empire and Federal, and even classicized forays into the Gothic.
4140 Р.
Cuito Aurora, Asensio Paco Arquitectura de Casas. Spectacular Houses
Domestic architecture is a paradigm of evolution, a privileged field experimentation. It examines the domes tic aspirations of our time and places before us new lifestyles and speculations. Spectacular Houses features a selection of homes from the beginning of the new millennium. This selection examine houses that have broken away from the past and that define today's innovation and tomorrow's classicism. The book does not aim to convert these houses into prototypes to follow; they are included because they reflect the peculiarities of their era, sites and owners.
1055 Р.
Austen Jane Sense And Sensibility
Jane Austen seems to have been born with the comic precision and other-worldly insight she everywhere displays in Sense and Sensibility, her first published novel (1811), which, though revised later, was completed in 1797 at the age of twenty-two. This meticulously constructed story of two sisters with opposing temperaments and romantic inclinations exemplifies the distilled spirit of classicism in English literature.
3533 Р.
Mitchell Philip, Nasatir Judith Collected Interiors. Rooms That Tell a Story
The elegant, clean classicism of Philip Mitchell s style is on full display in these homes, where he masterfully incorporates a wide-ranging mix of antiques, vintage collectibles, and contemporary pieces everything from inherited furniture collections to modern art in rooms that are filled with memories and warmth. As a master of what he calls modern maximalism, Mitchell embraces the challenge of taking wonderful things that a homeowner already has and making more of them. Once Mitchell has established a connecting thread among a variety of disparate pieces whether through finish, material, scale, colour, texture, or line he starts the process of building the relationships that bring a space to life. Brilliant photographs take readers on in-depth tours of nine homes, ranging from an elegant Upper East Side pied-a-terre to a classic cottage on the water in Nova Scotia. Mitchell s personal narrative in elegant text enlightens, while his takeaways accompanying each home help readers understand how to blend new and old, mix colours and patterns, and fill a home with an eclectic mix that is truly their own.
12244 Р.
Kostyuk Maria Boris Iofan. Architect behind the Palace of the Soviets
Boris Iofan is best known as the architect behind the Palace of the Soviets. Yet his style was not limited to the Socialist Classicism that flourished under Stalin. Rather, Iofan’s architectural language boldly evolved throughout his lifetime: from his eclectic beginnings in Rome, to the grandeur of the wedding-cake style in the 1930s, and finally, to his incorporation of concrete panels under the Khrushchev government. This book presents a collection of essays, photographs, floor plans, sketches, and drawings that chart the development of the architect’s variegated career which spanned nearly six decades.
1985 Р.
Sunshine Becky Fashioning Design. Lee Broom
The first illustrated monograph presenting the work of British designer Lee Broom, founder of the eponymous brand and celebrated for his stylish, contemporary take on classic design products. The book explores the many influences and ideas behind Broom’s portfolio of more than 100 products as well as highlights the way in which he showcases his work through original and engaging installations, exhibitions, and films. Lee Broom furniture, lighting, and accessories, some of which is now held in the permanent collections of cultural institutions in London and New York, is at once familiar and yet feels new—a signature skill of reinterpretation and the mix of classicism and modernity. The book is presented thematically in four chapters, each relating to a defining aspect of Broom’s design personality. “Art Form” explores Broom’s relationship with architecture and silhouette, as well as the way in which he works with form, balance, and symmetry. “History Repeats Itself” delves into Broom’s fascination with historical starting points and reinvention and how techniques of the past can inform the future. “Material Boy” focuses on Broom’s meticulous approach to the process of making, his clever use of materials, and the art of collaboration. Finally, “Drama of Design” is a study of Broom’s background in theater and fashion and how both have permeated his creative thinking and the way he presents his work as immersive experiences. With special contributions by Christian Louboutin, Vivienne Westwood and Kelly Wearstler.
7603 Р.
Goethe Johann Wolfgang Wilhelm Meister
Seduced by the chimerical world of the theatre and taking upon himself the grand ambition of becoming a successful performer and dramatist, the merchant's son Wilhelm Meister embarks on a tumultuous quest of self-discovery. Along his path he finds himself having to negotiate love, desire and the need to face up to his own past and responsibilities. A landmark in the history of European literature, Goethe's novel is not only one of the key works of Weimar Classicism and the prototype for the Bildungsroman genre, but also a timeless tale of coming into one's own and a fascinating portrayal of the late-eighteenth-century theatre world.
3213 Р.
Fraser Natasha A. Tino Zervudachi. Interiors Around the World
Over the past forty years, Tino Zervudachi has earned an international reputation for elegance. Sought after for his bold approach and sensual classicism, he has established an illustrious clientele that includes some of the world's most discerning titans of business, art collectors, and bohemian aristocrats, and his designs can be seen in sumptuous homes located around the world. Zervudachi began his career with the British design legend David Mlinaric and designed his first house at just twenty-one years old. After moving to Paris in 1990, he continually refined his personal approach to interior design, and his work has become recognizable for its textured flair and historic references, accompanied by artisanal excellence in every detail. This book features new unpublished photography that captures a world motivated by curiosity, a profound respect for architecture, and an inimitable manner of enhancing extraordinary works of art through daring choices of textiles or furniture. Zervudachi seamlessly places each project into its appropriate context, from a reimagined family chateau in France to a chic beach house in the Bahamas, or from a historic mansion in Austria to a mysterious chalet in the Alps. Texts and interviews by Natasha Fraser emphasize Zervudachi's precision and responsibility to his craft in thirty-six stunning locations.
16284 Р.
Krasnyanskaya Kristina, Semenov Alexander Soviet Design. From Constructivism To Modernism. 1920-1980
The Soviet Union has left a vast heritage in interior design that is largely unknown in the West. Other than architecture and graphic or product design, interior design from the Soviet era has not yet been thoroughly investigated. For the first time ever, this book offers a comprehensive survey of the country's interior design culture between revolutionary avant-garde and late Soviet modernism. Drawing on archives that were inaccessible until recently and featuring a wealth of previously unpublished material, it documents the achievements of seven decades in the former socialist empire. Soviet design is often discredited as massive, non-ergonomic and monotonous. Yet a remarkable variety of original styles have emerged behind the iron curtain. The 1920s were marked by bold exploration and experiments at Vkhutemas and by constructivism, rationalism, and suprematism. Early in Stalin's reign constructivism was heavily criticised and post-constructivism and Soviet neo-classicism appeared alongside what became known as 'agitational furniture', inspired by the regime's propaganda. The 1930s brought Soviet Art Deco and eventually Stalinist Empire, which has produced some of the Soviet Union's most iconic buildings. In the late 1950s, after Stalin's death, the last Soviet 'big style' originated modernist and functionalist furniture, mass-produced to fit the small apartments in the Khrushchyovka multi-unit housing developments that were built in cities on a large scale. The 1960s mark the Golden Age of Soviet interior design, showing again influences by the early Soviet Avant-Garde and the Bauhaus, while most of the visionary work of a new generation of designers in the 1970s and 1980s remained unrealised.
19114 Р.
Сопло горелки ЕМ 6-Е (01079840)
Для котлов: , DOMINA C 24 E, DOMINA F 24 E, NEW ELITE 60 C 30, NEW ELITE 60 F 24, NEW ELITE 60 F 30, NEW ELITE 60 С 24, NEW ELITE C 24 E, NEW ELITE C 30 E, NEW ELITE F 30 E, Domina E/Piezo, New Elite, New Elite E/C
4542 Р.