"Ambiguous work. Where can we start?", wrote the art historian Oscar Schurer in the historic series Junge Kunst about Pablo Picasso's multi - faceted oeuvre back in 1927. Picasso, who was investigating Surrealism at the time, was regarded as a genius even then - and had another 40 years of creativity before him. The magnificent legacy of a talent which showed twentieth - century art the way forward consists of an almost unimaginable number of paintings, drawings, graphic works, sculp tures and ceramic items. The art historian Markus Muller knows where and above all how we can begin to grasp a multilayered oeuvre like Picasso's. In this newly edited artist monograph he skilfully guides the reader through the virtuoso plethora of styles of Pablo Picasso, explains key works from the various periods and provides a fascinating impression of the bubbling energy of this multi - talented artist. Not least as a result of the author's personal acquaintance with the Picasso family, the archive sect ion of the work promises a number of finds which are seldom on view.
2580 Р.
The Moscow Museum of Modern Art is pleased to present the first solo exhibition of Jacques .Lipchitz, an outstanding avant-garde sculptor of the 20th century and a prominent representative of the School of Paris, to be held in Russia. Lipchitz was one of the most notable sculptors who adopted the principles of Cubism and persistently applied them in his works, gaining recognition from both connoisseurs and the general public. Later, moving away from Cubism, he kept his expressiveness and daring approach to form. .Published to coincide with the exhibition in the Moscow Museum of Modern Art, the present edition reflects on the history of sculpture in the 20th century, factors that shaped its development, and Lipchitz's circle of artists and friends, who influenced his approach. Jacques Lipchitz marked a turning point in the perception of art and, along with Pablo Picasso and Marc Chagall, became a symbol of the new art. Along with the artworks presented in the exhibition, the catalogue contains additional materials such as an article by the exhibition curator Kosme de Baranano about the sculptor's life and work, an essay by an art historian Mikhail Kamen-sky about Lipchitz's visit to the USSR in 1935, interesting facts about the sculptor's life, previously unpublished images from the archives of Musee d'Art et d'Histoire du JudaTsme in Paris as well as photographs of sculptures and graphic works from the collections of Marlborough Gallery, the Israel Museum in Jerusalem, and private collections. .This retrospective exhibition is a continuation of the museum's exhibition program aimed at introducing visitors to the work of important modernist artists. The project is prepared in celebration of the 70th anniversary of the establishment of Israel. .I would like to express my sincere gratitude to The Estate of Jacques Lipchitz, Marlborough Gallery and Kosme de Baranano for their help and support in organizing the exhibition, as well as to the team of the Moscow Museum of Modern Art for the successfully realised project.
2000 Р.
The Moscow Museum of Modern Art is pleased to present the first solo exhibition of Jacques .Lipchitz, an outstanding avant-garde sculptor of the 20th century and a prominent representative of the School of Paris, to be held in Russia. Lipchitz was one of the most notable sculptors who adopted the principles of Cubism and persistently applied them in his works, gaining recognition from both connoisseurs and the general public. Later, moving away from Cubism, he kept his expressiveness and daring approach to form. .Published to coincide with the exhibition in the Moscow Museum of Modern Art, the present edition reflects on the history of sculpture in the 20th century, factors that shaped its development, and Lipchitz's circle of artists and friends, who influenced his approach. Jacques Lipchitz marked a turning point in the perception of art and, along with Pablo Picasso and Marc Chagall, became a symbol of the new art. Along with the artworks presented in the exhibition, the catalogue contains additional materials such as an article by the exhibition curator Kosme de Baranano about the sculptor's life and work, an essay by an art historian Mikhail Kamen-sky about Lipchitz's visit to the USSR in 1935, interesting facts about the sculptor's life, previously unpublished images from the archives of Musee d'Art et d'Histoire du JudaTsme in Paris as well as photographs of sculptures and graphic works from the collections of Marlborough Gallery, the Israel Museum in Jerusalem, and private collections. .This retrospective exhibition is a continuation of the museum's exhibition program aimed at introducing visitors to the work of important modernist artists. The project is prepared in celebration of the 70th anniversary of the establishment of Israel. .I would like to express my sincere gratitude to The Estate of Jacques Lipchitz, Marlborough Gallery and Kosme de Baranano for their help and support in organizing the exhibition, as well as to the team of the Moscow Museum of Modern Art for the successfully realised project.
2000 Р.
Your tour guide will show you how different artists can look at one thing - like a horse - and have totally different visions. These different visions create ART. And this is a book that canters through the whole of art history, explaining the puzzling and imaginative thing we call 'art'. With reproductions of over thirty iconic pieces of artwork - from Pablo Picasso to Edouard Manet, Rene Magritte, Susan Rothenberg, Jackson Pollock, and many more. This is an exhibition you won't want to miss! Based on a newly-discovered manuscript and sketches from Dr. Seuss, and brought to life by acclaimed illustrator Andrew Joyner, this is a thoroughly Seussian exploration of 'art'. With cameo appearances from beloved Dr. Seuss characters, such as the Cat in the Hat, this playful picture book is totally unique. Ideal for home or classroom use, this book will inspire Seuss fans, artists, and horse lovers - of all ages.
2054 Р.
This Russian Museum exhibition catalogue publishes much more than the anthologized propaganda posters of other survey books. The curators and authors have selected works that show how the propaganda poster evolved as an independent genre both in subject and style. The earliest examples follow the conventions of popular prints (lubki) and folk tale imagery of the tsarist period - images often tell a story with satirical and grotesque depictions of enemies. Prevalent in the early examples is a realism akin to nineteenth- and early twentieth-century art. In the early 1920s a more modern and spare form of poster art drew on experiments of the avant-garde to create new styles.
1996 Р.
Meet Pablo Picasso and discover the story of his life and work in this engagingly illustrated biography—narrated by the artist himself. Pablo Picasso redefined twentieth-century art, moving from realistic portrayals and experiments in color to primitivism and cubism, in which he deconstructed the subjects he painted. This engaging first-person biography explores the unique career of this master, who began learning to draw and paint at just seven years old. It delves into Picasso’s training, including at the School of Fine Arts in Barcelona; his various stylistic periods, from naturalism to surrealism; his experience living in Paris under German occupation during World War II; his many marriages; and his profound influence on later artists.
1437 Р.
One hundred and twenty prints by Picasso from the collection of the Simon Norton Museum are presented in this highly readable, fully illustrated, and scholarly catalogue which accompanies the exhibition at the Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, at the Toledo Museum of Art, and at the Simon Norton Museum.
2170 Р.
Published to commemorate an exhibition presented by Gagosian in partnership with English Heritage, this stunning volume centers on Rembrandt s masterpiece Self-Portrait with Two Circles (c. 1665), from the collection of Kenwood House in London. The painting is considered to be Rembrandt s greatest late self-portrait and is accompanied here by examples of the genre from leading artists of the past one hundred years. These include works by Francis Bacon, Jean-Michel Basquiat, Lucian Freud, and Pablo Picasso, as well as contemporary artists such as Georg Baselitz, Glenn Brown, Urs Fischer, Damien Hirst, Howard Hodgkin, Giuseppe Penone, Richard Prince, Cindy Sherman, and Rudolf Stingel, among others. Also featured is a new work by Jenny Saville, created in response to Rembrandt s masterpiece. Full-color plates of the works, generous details, and installation views of the exhibition accompany an expansive essay by art historian David Freedberg that provides a close look at the self-portraits created by Rembrandt throughout his life and considers the role of the Dutch master as the precursor of all modern painting.
10040 Р.
Pioneered by Picasso and Braque, Cubism was the first avant-garde art movement of the 20th century. Heavily influenced by the stark power of African and Native American art and sculpture, it deconstructed conventions of viewpoint and perspective, revolutionizing painting and western art in general. With its flattened, geometric shapes, overlapping, simplified forms and fragmented spatial planes, Cubism became one of the most influential and far-reaching movements in modern art. This book explains the history and theory behind Cubism, examining the work of its prime movers, and those whose work built upon it. Featured artists: Pablo Picasso, Edmond Fortier, Paul Cezanne, George Braque, Henri Le Fauconnier, Jean Metzinger, Fernand Leger, Juan Gris, Albert Gleizes, Henri Laurens, Salvador Dali, Brassai, Robert Delaunay, Raymond Duchamp-Villon.
1012 Р.
Poster-Art — коллекция интеллектуальных, остроумных, оригинальных работ собранных по всему миру и ломающих традиционные представления о графическом дизайне и технологии печати плакатов, постеров и афиш. Poster-Art — новое издание продолжающее серию книг CD-Art, DVD-Arl и Mag-Art. Мы исследуем инновации в графическом дизайне. В книге собраны постеры, сопровождающие различные виды деятельности и участвующие во всевозможных мероприятиях: музыкальных, кинематографических, фестивальных, выставочных, политических, театральных и т. д. И все они притягивают взгляд, общаются с потребителем и, самое главное, продают. Шарлотта Риверз пишет о графическом дизайне, стиле жизни и креативе для множества всемирно-известных изданий, среди которых: Print, Grafik и Lab. Она — ведущий консультант в области рекламы. 0
1799 Р.
Poster-Art — коллекция интеллектуальных, остроумных, оригинальных работ собранных по всему миру и ломающих традиционные представления о графическом дизайне и технологии печати плакатов, постеров и афиш. Poster-Art — новое издание продолжающее серию книг CD-Art, DVD-Arl и Mag-Art. Мы исследуем инновации в графическом дизайне. В книге собраны постеры, сопровождающие различные виды деятельности и участвующие во всевозможных мероприятиях: музыкальных, кинематографических, фестивальных, выставочных, политических, театральных и т. д. И все они притягивают взгляд, общаются с потребителем и, самое главное, продают. Шарлотта Риверз пишет о графическом дизайне, стиле жизни и креативе для множества всемирно-известных изданий, среди которых: Print, Grafik и Lab. Она — ведущий консультант в области рекламы. 0
1799 Р.
462.5 Р.
Curated by noted Picasso biographer John Richardson, this exhibition catalogue examines the intersection of Picasso's bullfighting imagery with the mythological (and biographical) compositions of the 1930s. Including works dating from 1897 to 1972, this fully illustrated catalogue presents a career-long survey of Picasso's engagement with ancient bullfighting and mythological narratives and includes essays by noted Picasso scholars Michael FitzGerald and Gertje Utley.
9760 Р.
What did Spain look like when Picasso was born? What kind of community did he grow up in? What was his studio like? Who were the people who had the most influence on his art? The answers to these and other questions help bring into focus the Spanish artist's brilliant career and his influence on twentieth-century art. Color reproductions of his masterpieces are interspersed with photographs of Picasso's personal life, and are presented in a dynamic layout that reflects the artist's creative vision and boundless energy. Picasso's anti-war stance, his tumultuous love affairs, and his outspokenness are all examined with journalistic verve. This book not only provides a solid background on Picasso's monumental body of work, but also offers anecdotes, historical context, and a fresh perspective on an enigmatic and endlessly compelling figure.
3030 Р.
Poster-Art - коллекция интеллектуальных, остроумных, оригинальных работ, собранных по всему миру и ломающих традиционные представления о графическом дизайне и технологии печати плакатов, постеров и афиш. Poster-Art - новое издание продолжающее серию книг CD-Art, DVD-Art и Mag-Art. Мы исследуем инновации в графическом дизайне. Издание на английском языке.
2100 Р.
Fractured forms: Deconstructing perspective with Picasso and peers.Pioneered by Picasso and Braque, Cubism has been described as the first avant-garde art movement of the 20th century. With inspiration from African and Native American art and sculpture, its practitioners deconstructed European conventions of viewpoint, form, perspective to create flattened, fragmented, and revolutionary images.Picasso's celebrated painting Les Demoiselles d'Avignon is typically regarded as the original cubist work, with its radical fracturing of objects and figures into distinct areas, corresponding to multiple different viewpoints. Cubism thereafter developed two distinct trends: Analytical Cubism, which continued to interweave perspectival planes in muted blacks, greys and ochre, and later Synthetic Cubism, characterised by simpler shapes, brighter colors, and collage elements such as newspaper.This book presents the prime protagonists of Cubism, with work from artists including Pablo Picasso, Georges Braque, Fernand Léger, Juan Gris, Albert Gleizes, and Robert Delaunay.
1990 Р.
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