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Murphy Jill The Worst Witch All at Sea

The Worst Witch All At Sea is the fourth of Jill Murphy's classic, much-loved The Worst Witch series, the original story of life at a magical boarding school, perfect for readers aged 5-9. Lovable but disaster-prone Mildred Hubble is possibly the worst witch ever to go to Miss Cackle's Academy for Witches... Mildred is in deep water on the school trip! Mildred Hubble, the worst witch at Miss Cackle's Academy for Witches, can't bear to leave behind her beloved cat, Tabby, when the class goes for a week beside the seaside. But keeping Tabby leads Mildred into yet more trouble. Jill Murphy was born in London in 1949. From a very early age she was drawing and writing stories, and was already putting books together (literally, with a stapler) by the time she was six. She went on to study at Chelsea, Croydon and Camberwell Schools of Art. Jill worked in a children's home for four years and as a nanny for a year, before becoming a freelance writer and illustrator. The Worst Witch stories, of which this is the first, are some of Puffin's most successful titles. If you'd like to read more of Mildred's disastrous adventures at Miss Cackle's Academy The Worst Witch, The Worst Witch Strikes Again, A Bad Spell for the Worst Witch, The Worst Witch Saves the Day,The Worst Witch to the Rescue and The Worst Witch and the Wishing Star are also available from Puffin and are perfect for children aged 5-9.

Murphy Jill The Worst Witch and The Wishing Star

Mildred Hubble, positively the Worst Witch at Miss Cackle's Academy for Witches is back in another very funny adventure. In The Worst Witch and the Wishing Star, Mildred makes a wish on a shooting star - and to her great surprise it comes true! But it also spells trouble. Mildred's wish-come-true is a small dog but she has to keep him a secret from her friends, and especially the formidable Miss Hardbroom. It's a disaster waiting to happen...and it does...! The Worst Witch and the Wishing Star launches a stunning new cover look and an appealing squarer format across the whole of the Worst Witch series which includes The Worst Witch; The Worst Witch Strikes Again; A Bad Spell for the Worst Witch; The Worst Witch all at Sea; The Worst Witch Saves the Day and The Worst Witch to the Rescue. Jill Murphy was born in London in 1949. From a very early age she was drawing and writing stories, and was already putting books together (literally, with a stapler) by the time she was six. She went on to study at Chelsea, Croydon and Camberwell Schools of Art. Jill worked in a children's home for four years and as a nanny for a year, before becoming a freelance writer and illustrator. The Worst Witch stories, of which this is the seventh, are some of Puffin's most successful titles.

Posters of the Revolutionary Era

This Russian Museum exhibition catalogue publishes much more than the anthologized propaganda posters of other survey books. The curators and authors have selected works that show how the propaganda poster evolved as an independent genre both in subject and style. The earliest examples follow the conventions of popular prints (lubki) and folk tale imagery of the tsarist period - images often tell a story with satirical and grotesque depictions of enemies. Prevalent in the early examples is a realism akin to nineteenth- and early twentieth-century art. In the early 1920s a more modern and spare form of poster art drew on experiments of the avant-garde to create new styles.

Dancing Witch And Ghost Vintage Wall Art Canvas Painting The Beauty Of The Dark Witch Art Poster And Print Home Decor Unframed

Paget R. Hokusai

The Old Man Mad about Painting.Hokusai, the master who unleashed a tsunami on the art world.Meet the artist whose majestic breaking wave sent ripples across the world. Katsushika Hokusai (1760-1849) is not only one of the giants of Japanese art and a legend of the Edo period, but also a founding father of Western modernism, whose prolific gamut of prints, illustrations, paintings, and beyond forms one of the most comprehensive oeuvres of ukiyo-e art and a benchmark of japonisme. His influence spread through Impressionism, Art Nouveau, Jugendstil, and beyond, enrapturing the likes of Claude Monet (who bought 23 of his prints), Berthe Morisot, Edgar Degas, Mary Cassatt, and Vincent van Gogh.Hokusai was always a man on the move. He changed domicile more than 90 times during his lifetime and changed his own name through at least seven professional pseudonyms. In his art, he adopted the same restlessness, covering the complete spectrum of Japanese ukiyo-e ("pictures of the floating world") practice in painting and woodblock, from single-sheet prints of landscapes and actors to erotic books, album prints, illustrations for verse anthologies and historical novels, and surimono, which were privately issued prints for special occasions.Hokusai's print series Thirty-Six Views of Mount Fuji, published between 1826 and 1833 is the artist's most renowned work and, with its soaring peak through different seasons and from different vantage points, marked the towering summit of the Japanese landscape print. The series' The Great Wave off Kanagawa, also known simply as The Great Wave, is one of the most recognized images of Japanese art in the world.

Paget R. Hokusai

The Old Man Mad about Painting.Hokusai, the master who unleashed a tsunami on the art world.Meet the artist whose majestic breaking wave sent ripples across the world. Katsushika Hokusai (1760-1849) is not only one of the giants of Japanese art and a legend of the Edo period, but also a founding father of Western modernism, whose prolific gamut of prints, illustrations, paintings, and beyond forms one of the most comprehensive oeuvres of ukiyo-e art and a benchmark of japonisme. His influence spread through Impressionism, Art Nouveau, Jugendstil, and beyond, enrapturing the likes of Claude Monet (who bought 23 of his prints), Berthe Morisot, Edgar Degas, Mary Cassatt, and Vincent van Gogh.Hokusai was always a man on the move. He changed domicile more than 90 times during his lifetime and changed his own name through at least seven professional pseudonyms. In his art, he adopted the same restlessness, covering the complete spectrum of Japanese ukiyo-e ("pictures of the floating world") practice in painting and woodblock, from single-sheet prints of landscapes and actors to erotic books, album prints, illustrations for verse anthologies and historical novels, and surimono, which were privately issued prints for special occasions.Hokusai's print series Thirty-Six Views of Mount Fuji, published between 1826 and 1833 is the artist's most renowned work and, with its soaring peak through different seasons and from different vantage points, marked the towering summit of the Japanese landscape print. The series' The Great Wave off Kanagawa, also known simply as The Great Wave, is one of the most recognized images of Japanese art in the world.

Murphy J. The Worst Witch

'Millions of young readers have fallen under the spell of Jill Murphy's Worst Witch' - Sunday Express Hold on to your broomstick for magical mayhem with Jill Murphy's much-loved classic The Worst Witch- the original story of life at a magical boarding school. Mildred Hubble is a trainee at Miss Cackle's Academy for Witches, but she's making an awful mess of it. She keeps getting her spells wrong and crashing her broomstick. And when she turns Ethel, the teacher's pet into her worst enemy, chaos ensues... Read the rest of Mildred's (mis)adventures: The Worst Witch, A Bad Spell for the Worst Witch, The Worst Witch All at Sea, The Worst Witch Saves the Day, The Worst Witch to the Rescue, The Worst Witch and the Wishing Star and First Prize for the Worst Witch.

Murphy J. The Worst Witch

'Millions of young readers have fallen under the spell of Jill Murphy's Worst Witch' - Sunday Express Hold on to your broomstick for magical mayhem with Jill Murphy's much-loved classic The Worst Witch- the original story of life at a magical boarding school. Mildred Hubble is a trainee at Miss Cackle's Academy for Witches, but she's making an awful mess of it. She keeps getting her spells wrong and crashing her broomstick. And when she turns Ethel, the teacher's pet into her worst enemy, chaos ensues... Read the rest of Mildred's (mis)adventures: The Worst Witch, A Bad Spell for the Worst Witch, The Worst Witch All at Sea, The Worst Witch Saves the Day, The Worst Witch to the Rescue, The Worst Witch and the Wishing Star and First Prize for the Worst Witch.

Pounder Sibeal Witch Wars

The first book in the hilarious Witch Wars series for kids aged 7+, perfect for fans of The Worst Witch. Shortlisted for the Waterstones Children's Book Prize. Join Tiga on her quest to win Witch Wars and become Top Witch of Ritzy City! When Fran the Fabulous Fairy turns up in Tiga Whicabim's shed to tell her she's a witch, Tiga doesn't believe her. Or at least not until Fran points out that TIGA WHICABIM is actually an anagram of I am a big witch and magics her away down the drainpipes to compete in Witch Wars - the competition to crown the next Top Witch of Ritzy City. Filled with silly spells, delectable dresses, ridiculous riddles and a serious shoe problem, Witch Wars is a witch story like no other... although if you enjoyed The Worst Witch, you'll love this too!

Maxwell Victoria Witch, Please. Empowerment and Enlightenment for the Modern Mystic

Learn to take control of your life and reconnect with your purpose, using modern magic based on ancient spirituality. Witch, Please is a modern mystic’s practical guide to life, love and creating a fulfilling existence, from turning your home into a sacred sanctuary and manifesting magical relationships to loving your career and money magic. Full of inspiration, practical advice and rituals, this book will guide you through the process of tapping into your intuition, intention and self-empowerment to discover and harness the magic within you.

Henning Sarah Sea Witch Rising

This sequel to The Sea Witch is an alternative reimagining of Hans Christian Andersen's The Little Mermaid. It's a heart-wrenching story about the complications of sisterhood, the uncompromising nature of magic and the cost of redemption. Alia has made a deal with the Sea Witch to give up her life as a mermaid in exchange for a human soul. Now she has only twelve hours left on land to win the prince she loves, or perish. But Alia's sister, Runa, knows that the prince isn't capable of true love, so she makes her own bargain with the Sea Witch - and prepares to bring Alia back to the ocean, whether she likes it or not. Below the waves, the Sea Witch has a plan to challenge the order of the sea. It's going to take power - power she doesn't yet have. As Runa and the Sea Witch's fates intertwine, they find themselves caught in the middle of a deadly conflict between land and water. Will they be brave enough to sacrifice their own hearts' desires for a chance to save their worlds…?

Paget Rhiannon Hokusai

The Old Man Mad about Painting. Hokusai, the master who unleashed a tsunami on the art world. Meet the artist whose majestic breaking wave sent ripples across the world. Katsushika Hokusai (1760-1849) is not only one of the giants of Japanese art and a legend of the Edo period, but also a founding father of Western modernism, whose prolific gamut of prints, illustrations, paintings, and beyond forms one of the most comprehensive oeuvres of ukiyo-e art and a benchmark of japonisme. His influence spread through Impressionism, Art Nouveau, Jugendstil, and beyond, enrapturing the likes of Claude Monet (who bought 23 of his prints), Berthe Morisot, Edgar Degas, Mary Cassatt, and Vincent van Gogh. Hokusai was always a man on the move. He changed domicile more than 90 times during his lifetime and changed his own name through at least seven professional pseudonyms. In his art, he adopted the same restlessness, covering the complete spectrum of Japanese ukiyo-e ("pictures of the floating world") practice in painting and woodblock, from single-sheet prints of landscapes and actors to erotic books, album prints, illustrations for verse anthologies and historical novels, and surimono, which were privately issued prints for special occasions. Hokusai's print series Thirty-Six Views of Mount Fuji, published between 1826 and 1833 is the artist's most renowned work and, with its soaring peak through different seasons and from different vantage points, marked the towering summit of the Japanese landscape print. The series' The Great Wave off Kanagawa, also known simply as The Great Wave, is one of the most recognized images of Japanese art in the world. This Taschen introduction spans the length and breadth of Hokusai's career with key pieces from his far-reaching portfolio. Through these meticulous, majestic works and series, we trace the variety of Hokusai's subjects, from erotic books to historical novels, and the evolution of his vivid formalism and decisive delineation of space through color and line that would go on to liberate Western art from the constraints of its one-point perspective and unleash the modernist momentum.

Donaldson Julia Whoosh! Went the Witch. Room on the Broom Book

Who's that flying over the treetops? Whoosh! It's the witch and her cat and a very tall hat. Fly through the sky with the witch and her friends and bring the story to life with a specially-designed 'whoosh' sound. Whoosh! Went the Witch is a fun and interactive introduction to one of the UK's favourite story books, Room on the Broom from the superb partnership of Julia Donaldson and Axel Scheffler.

Hundley Jessica Witchcraft. The Library of Esoterica

Initiating readers in the fascinating and complex history of witchcraft, from the goddess mythologies of ancient cultures to the contemporary embrace of the craft by modern artists and activists, this expansive tome conjures up a breathtaking overview of an age-old tradition. Rooted in legend, folklore, and myth, the archetype of the witch has evolved from the tales of Odysseus and Circe, the Celtic seductress Cerridwen, and the myth of Hecate, fierce ruler of the moonlit night. In Witchcraft we survey her many incarnations since, as she shape-shifts through the centuries, alternately transforming into mother, nymph, and crone-seductress and destroyer. Edited by Jessica Hundley, and co-edited by author, scholar, and practitioner Pam Grossman, this enthralling visual chronicle is the first of its kind, a deep dive into the complex symbologies behind witchcraft traditions, as explored through the history of art itself. The witch has played muse to great artists throughout time, from the dark seductions of Francisco Jose de Goya and Albrecht Durer to the elegant paean to the magickal feminine as re-imagined by the Surrealist circle of Remedios Varo, Leonora Carrington, and Leonor Fini. The witch has spellbound through folktales and dramatic literature as well, from the poison apples of The Brothers Grimm, to the Weird Sisters gathered at their black cauldron in Shakespeare’s Macbeth, to L. Frank Baum’s iconic Wicked Witch of the West, cackling over the fate of Dorothy. Throughout this entrancing visual voyage, we’ll also bear witness to the witch as she endures persecution and evolves into empowerment, a contemporary symbol of bold defiance and potent nonconformity. Featuring enlightening essays by modern practitioners like Kristen J. Sollee and Judika Illes, as well interviews with authors and scholars such as Madeline Miller and Juliet Diaz, Witchcraft includes a vast range of cultural traditions that embrace magick as spiritual exploration and creative catharsis.

Hundley Jessica Witchcraft. The Library of Esoterica

Initiating readers in the fascinating and complex history of witchcraft, from the goddess mythologies of ancient cultures to the contemporary embrace of the craft by modern artists and activists, this expansive tome conjures up a breathtaking overview of an age-old tradition. Rooted in legend, folklore, and myth, the archetype of the witch has evolved from the tales of Odysseus and Circe, the Celtic seductress Cerridwen, and the myth of Hecate, fierce ruler of the moonlit night. In Witchcraft we survey her many incarnations since, as she shape-shifts through the centuries, alternately transforming into mother, nymph, and crone-seductress and destroyer. Edited by Jessica Hundley, and co-edited by author, scholar, and practitioner Pam Grossman, this enthralling visual chronicle is the first of its kind, a deep dive into the complex symbologies behind witchcraft traditions, as explored through the history of art itself. The witch has played muse to great artists throughout time, from the dark seductions of Francisco Jose de Goya and Albrecht Durer to the elegant paean to the magickal feminine as re-imagined by the Surrealist circle of Remedios Varo, Leonora Carrington, and Leonor Fini. The witch has spellbound through folktales and dramatic literature as well, from the poison apples of The Brothers Grimm, to the Weird Sisters gathered at their black cauldron in Shakespeare’s Macbeth, to L. Frank Baum’s iconic Wicked Witch of the West, cackling over the fate of Dorothy. Throughout this entrancing visual voyage, we’ll also bear witness to the witch as she endures persecution and evolves into empowerment, a contemporary symbol of bold defiance and potent nonconformity. Featuring enlightening essays by modern practitioners like Kristen J. Sollee and Judika Illes, as well interviews with authors and scholars such as Madeline Miller and Juliet Diaz, Witchcraft includes a vast range of cultural traditions that embrace magick as spiritual exploration and creative catharsis.

Rhiannon Paget. Hokusai

Hokusai, the master who unleashed a tsunami on the art worldMeet the artist whose majestic breaking wave sent ripples across the world. Katsushika Hokusai (1760-1849) is not only one of the giants of Japanese art and a legend of the Edo period, but also a founding father of Western modernism, whose prolific gamut of prints, illustrations, paintings, and beyond forms one of the most comprehensive oeuvres of ukiyo-e art and a benchmark of japonisme. His influence spread through Impressionism, Art Nouveau, Jugendstil, and beyond, enrapturing the likes of Claude Monet (who bought 23 of his prints), Berthe Morisot, Edgar Degas, Mary Cassatt, and Vincent van Gogh.Hokusai was always a man on the move. He changed domicile more than 90 times during his lifetime and changed his own name through at least seven professional pseudonyms. In his art, he adopted the same restlessness, covering the complete spectrum of Japanese ukiyo-e (pictures of the floating world) practice in painting and woodblock, from single-sheet prints of landscapes and actors to erotic books, album prints, illustrations for verse anthologies and historical novels, and surimono, which were privately issued prints for special occasions.Hokusais print series Thirty-Six Views of Mount Fuji, published between 1826 and 1833 is the artists most renowned work and, with its soaring peak through different seasons and from different vantage points, marked the towering summit of the Japanese landscape print. The series The Great Wave off Kanagawa, also known simply as The Great Wave, is one of the most recognized images of Japanese art in the world.This TASCHEN introduction spans the length and breadth of Hokusais career with key pieces from his far-reaching portfolio. Through these meticulous, majestic works and series, we trace the variety of Hokusais subjects, from erotic books to historical novels, and the evolution of his vivid formalism and decisive delineation of space through color and line that would go on to liberate Western art from the constraints of its one-point perspective and unleash the modernist momentum.