lenin marx engels new men t shirt ussr soviet union retro russia moscow
Deyan Sudjic. Imagine Moscow: Architecture, Propaganda, Revolution
After the October Revolution of 1917, Lenin moved the Russian capital from the imperial, westward-looking city of St. Petersburg back to Moscow, the traditional heart of Russia. Moscow was to be the ideal Soviet city, its factories, theaters, communal housing and government buildings representing the strength and potential of a new revolutionary society. Imagine Moscow: Architecture, Propaganda, Revolution explores Moscow as it was envisioned by a bold generation of architects in the 1920s and early 1930s. Featuring rarely seen material, this book portrays a vision of the Soviet capital that was never realized but which still haunts the city today. Imagine Moscow focuses on six unbuilt architectural landmarks, each telling its own story about the city: Ivan Leonidov's Lenin Institute (1927), El Lissitzky's “Cloud Iron" (1924), Nikolai Ladovsky's Communal House (1919), Nikolai Sokolov's Health Factory (1927), the Vesnin brothers' Narkomtiazhprom (1934) and Boris Iofan's Palace of the Soviets (1932). Each of these projects introduces a theme relevant to life and ideology in the Soviet Union: collectivization, urban planning, aviation, communication, industrialization, communal living and recreation. Large-scale architectural plans, models and drawings are placed alongside propaganda posters, textiles and porcelain, contextualizing the transformation of Moscow as a city reborn. Edited by curator Eszter Steierhoffer, this book includes essays by writer Deyan Sudjic and architecture historians Richard Anderson and Jean-Louis Cohen.
2230 Р.
Bronovitskaya Anna, Malinin Nikolay, Palmin Yiri Moscow. A Guide to Soviet Modernist Architecture 1955-1991
Moscow: A Guide to Soviet Modernist Architecture 1955-1991 provides descriptions of almost 100 buildings from the most underrated period of Soviet architecture. This is the first guide to bring together the architecture made during the three decades between Khrushchev and Gorbachev, from the naive modernism of the "thaw" of the late 1950s through postmodernism. Buildings include the Palace of Youth, the Rossiya cinema, the Pioneer Palace, the Ostankino TV Tower, the TASS headquarters, the "golden brains" of the Academy of Sciences and less well-known structures such as the House of New Life and the Lenin Komsomol Automobile Plant Museum. The authors situate Moscow's postwar architecture within the historical and political context of the Soviet Union, while also referencing developments in international architecture of the period.
2571 Р.
Sankova Alexandra, Druzhinina Olga VNIITE Discovering Utopia. Lost Archives of Soviet Design
Written by the Moscow Design Museum’s Alexandra Sankova and Olga Druzhinina, this book tells the previously untold story of the VNIITE – the All-Union Scientific Research Institute of Technical Aesthetics. Formed in Soviet Russia in 1962, by the design visionary Yuri Soloviev, this vast network contained Moscow’s most progressive designers. The ‘Vniitians’, as they were called, designed for the future and developed new theories and approaches to design in the USSR. But more than ?fty years later, the organisation is all but forgotten. It’s hard to fathom how such an institution, dedicated to the promotion of utopian design, in theory and in practice, and the improvement of design standards within the Soviet Union, could have faded so far from view. After the disintegration of the USSR, the VNIITE and its library of images and prototypes were presumed lost. Until now, that is. Thanks to the efforts of the Moscow Design Museum – and the discovery of the personal archives of some of the VNIITE designers – the story of this remarkable organisation is being pieced back together. Alongside images of sketches, models and prototypes, the book also includes a selection of covers of one of the USSR’s hidden gems of graphic design – the VNIITE’s monthly journal, Technical Aesthetics. Showcased together for the first time, these covers chart Soviet graphic trends from the 1960s to the early 1990s. In the USSR there was a unique design system headed by the All-Union Research Institute of Technical Aesthetics (VNIITE). In the early 1960s Soviet leadership started to pay attention to design development. In 1962 VNIITE was founded, headed by Yuri Soloviev. The Institute was engaged in developing and implementing design practices, setting standards for product designs, conducting scientific research, and establishing international professional relations.
13326 Р.
Squaring the Circle
This anthology presents a new generation of authors from various parts of Russia who never lived in the Soviet Union and therefore free of the Soviet legacy. Theirs is a fundamentally new way of thinking and seeing the world. These voices from the future deserve your attention. Compiled by Olga Slavnikova
434 Р.
Bronovitskaya A., Malinin N., Palmin Y. Moscow: A guide to soviet modernist architecture 1955-1991
Moscow: A Guide to Soviet Modernist Architecture 1955-1991 provides descriptions of almost 100 buildings from the most underrated period of Soviet architecture. This is the first guide to bring together the architecture made during the three decades between Khrushchev and Gorbachev, from the naive modernism of the "thaw" of the late 1950s through postmodernism. Buildings include the Palace of Youth, the Rossiya cinema, the Pioneer Palace, the Ostankino TV Tower, the TASS headquarters, the "golden brains" of the Academy of Sciences and less well-known structures such as the House of New Life and the Lenin Komsomol Automobile Plant Museum. The authors situate Moscow's postwar architecture within the historical and political context of the Soviet Union, while also referencing developments in international architecture of the period.
1601 Р.
Bronovitskaya A., Malinin N., Palmin Y. Moscow: A guide to soviet modernist architecture 1955-1991
Moscow: A Guide to Soviet Modernist Architecture 1955-1991 provides descriptions of almost 100 buildings from the most underrated period of Soviet architecture. This is the first guide to bring together the architecture made during the three decades between Khrushchev and Gorbachev, from the naive modernism of the "thaw" of the late 1950s through postmodernism. Buildings include the Palace of Youth, the Rossiya cinema, the Pioneer Palace, the Ostankino TV Tower, the TASS headquarters, the "golden brains" of the Academy of Sciences and less well-known structures such as the House of New Life and the Lenin Komsomol Automobile Plant Museum. The authors situate Moscow's postwar architecture within the historical and political context of the Soviet Union, while also referencing developments in international architecture of the period.
1601 Р.
Sankova Alexandra Soviet Space Graphics. Cosmic Visions from the USSR
A wonderful, whimsical journey through the pioneering space-race graphics of the former Soviet Union This otherworldly collection of Soviet space-race graphics takes readers on a cosmic adventure through Cold War-era Russia. Created against a backdrop of geopolitical uncertainty, the extraordinary images featured, taken from the period's hugely successful popular-science magazines, were a vital tool for the promotion of state ideology. Presenting more than 250 illustrations - depicting daring discoveries, scientific innovations, futuristic visions, and extraterrestrial encounters - Soviet Space Graphics unlocks the door to the creative inner workings of the USSR.
8422 Р.
Herwig Christopher, Hatherley Owen Soviet Metro Stations
Stunning photographs of Soviet Metro Stations from across the former states of the USSR and Russia itself, many of which have never previously been documented For us, said Nikita Khrushchev in his memoirs, `there was something supernatural about the Metro'. Visiting any of the dozen or so Metro networks built across the Soviet Union between the 1930s and 1980s, it is easy to see why. Rather than the straightforward systems of London, Paris or New York, these networks were used as a propaganda artwork - a fusion of sculpture, architecture and art, combining Byzantine, medieval, baroque and Constructivist ideas and infusing them with the notion that Communism would mean a `communal luxury' for all. Today these astonishing spaces remain the closest realisation of a Soviet utopia. Following his best-selling quest for Soviet Bus Stops, Christopher Herwig has completed a subterranean expedition - photographing the stations of each Metro network of the former USSR. From extreme marble and chandelier opulence to brutal futuristic minimalist glory, Soviet Metro Stations documents this wealth of diverse architecture. Along the way Herwig captures individual elements that make up this singular Soviet experience: neon, concrete, escalators, signage, mosaics and relief sculptures all combine build an unforgettably vivid map of the Soviet Metro. The photographs are introduced by leading architecture, politics and culture author and journalist Owen Hatherley.
7394 Р.
Silver M. I Named My Dog Pushkin (And Other Immigrant Tales)
Moscow, 1988. After years of antisemitic harassment, countless hours waiting in line for toilet paper, and having zero access to cool jeans, Margarita decides it's time to get the hell out of the Soviet Union. While dreaming of buying the boat-sized Buick she'd seen in a pirated VHS of Miami Vice and getting a taste of whatever it is Bruce Springsteen is singing about, she comes up with a plan to escape Mother Russia for good.
1076 Р.
Silver M. I Named My Dog Pushkin (And Other Immigrant Tales)
Moscow, 1988. After years of antisemitic harassment, countless hours waiting in line for toilet paper, and having zero access to cool jeans, Margarita decides it's time to get the hell out of the Soviet Union. While dreaming of buying the boat-sized Buick she'd seen in a pirated VHS of Miami Vice and getting a taste of whatever it is Bruce Springsteen is singing about, she comes up with a plan to escape Mother Russia for good.
1076 Р.
Bremzen Von Anya Mastering the Art of Soviet Cooking: A Memoir of Food and Longing
A James Beard Award-winning writer captures life under the Red socialist banner in this wildly inventive, tragicomic memoir of feasts, famines, and three generations Born in 1963, in an era of bread shortages, Anya grew up in a communal Moscow apartment where eighteen families shared one kitchen. She sang odes to Lenin, black-marketeered Juicy Fruit gum at school, watched her father brew moonshine, and, like most Soviet citizens, longed for a taste of the mythical West. It was a life by turns absurd, naively joyous, and melancholy-and ultimately intolerable to her anti-Soviet mother, Larisa. When Anya was ten, she and Larisa fled the political repression of Brezhnev-era Russia, arriving in Philadelphia with no winter coats and no right of return. Now Anya occupies two parallel food universes: one where she writes about four-star restaurants, the other where a taste of humble kolbasa transports her back to her scarlet-blazed socialist past. To bring that past to life, Anya and her mother decide to eat and cook their way through every decade of the Soviet experience. Through these meals, and through the tales of three generations of her family, Anya tells the intimate yet epic story of life in the USSR. Wildly inventive and slyly witty, Mastering the Art of Soviet Cooking is that rare book that stirs our souls and our senses.
1336 Р.
Bremzen A. Mastering the Art of Soviet Cooking
Born in 1963, in an era of bread shortages, Anya grew up in a communal Moscow apartment where eighteen families shared one kitchen. She sang odes to Lenin, black-marketeered Juicy Fruit gum at school, watched her father brew moonshine, and, like most Soviet citizens, longed for a taste of the mythical West. .
773 Р.
Bremzen A. Mastering the Art of Soviet Cooking
Born in 1963, in an era of bread shortages, Anya grew up in a communal Moscow apartment where eighteen families shared one kitchen. She sang odes to Lenin, black-marketeered Juicy Fruit gum at school, watched her father brew moonshine, and, like most Soviet citizens, longed for a taste of the mythical West. .
773 Р.
Imagine Moscow. Architecture, Propaganda, Revolution
Idealistic visions of the Soviet capital that were never realised. Published at the centenary of the Russian Revolution, Imagine Moscow: Architecture, Propaganda, Revolution portrays Moscow as it was envisioned by a bold generation of architects in the 1920s and early 1930s. Through evocative imagery and a wealth of rarely seen material, this book provides a window into an idealistic fantasy of the Soviet capital that was never realised and has since been largely forgotten. Focusing on six unbuilt architectural landmarks, Imagine Moscow explores how these projects reflected changes in everyday life and society following the revolution, during one of the most fascinating periods of the twentieth century. Large-scale architectural plans, models and drawings are placed alongside propaganda posters, textiles and porcelain, contextualising the transformation of a city reborn as the new capital of the USSR and the international centre of socialism.
2584 Р.
Marx K, Engels F The Communist Manifesto
Featuring an extensive, provocative introduction by historian Martin Malia, this authorized English translation of The Communist Manifesto, edited and annotated by Engels, with prefaces to editions published between 1872 and 1888, provides a new opportunity to examine the document that shook the world. In 1848, two young men published what would become one of the defining documents of modern history, The Communist Manifesto. It rapidly realigned political faultlines all over the world and its aftershock resonates to this day. In the many years since its publication, no other social program has inspired such divisive and violent debate. Ever since the collapse of the Soviet Union, the world’s first regime to adopt the Manifesto’s tenets, historians have debated its intent and its impact. In the current era of market democracy in Russia and Eastern Europe, nationalism on every continent, and an ever tightening global economy, does the specter of Communism still haunt the world? Were the seeds of Communism’s ultimate destruction already planted in 1848? Is there anything to be learned from Marx’s envisioned utopia? With an Introduction by Martin Malia and an Afterword by Stephen Kotkin.
174 Р.
Marx K, Engels F The Communist Manifesto
Featuring an extensive, provocative introduction by historian Martin Malia, this authorized English translation of The Communist Manifesto, edited and annotated by Engels, with prefaces to editions published between 1872 and 1888, provides a new opportunity to examine the document that shook the world. In 1848, two young men published what would become one of the defining documents of modern history, The Communist Manifesto. It rapidly realigned political faultlines all over the world and its aftershock resonates to this day. In the many years since its publication, no other social program has inspired such divisive and violent debate. Ever since the collapse of the Soviet Union, the world’s first regime to adopt the Manifesto’s tenets, historians have debated its intent and its impact. In the current era of market democracy in Russia and Eastern Europe, nationalism on every continent, and an ever tightening global economy, does the specter of Communism still haunt the world? Were the seeds of Communism’s ultimate destruction already planted in 1848? Is there anything to be learned from Marx’s envisioned utopia? With an Introduction by Martin Malia and an Afterword by Stephen Kotkin.
174 Р.