1325.41 Р.
This book presents a basic course of the Russian language based on the teaching methods of Dmitry Petrov, which have been adapted for self-study. Each lesson contains a number of practical exercises which help students develop the skills necessary to use the basic structures of the Russian language. The textbook will be useful for beginner, as well as intermediate students of Russian.
2107 Р.
This book presents a basic course of the Russian language based on the teaching methods of Dmitry Petrov, which have been adapted for self-study. Each lesson contains a number of practical exercises which help students develop the skills necessary to use the basic structures of the Russian language. The textbook will be useful for beginner, as well as intermediate students of Russian.
1574 Р.
This book presents a basic course of the Russian language based on the the teaching methods of Dmitry Petrov, which have been adapted for self-study. . .Each lesson contains a number of practical exercises which help students develop the skills necessary to use the basic structures of the Russian language. . .The textbook will be useful for beginner, as well as intermediate students of Russian. .
1175 Р.
This book presents a basic course of the Russian language based on the the teaching methods of Dmitry Petrov, which have been adapted for self-study. . .Each lesson contains a number of practical exercises which help students develop the skills necessary to use the basic structures of the Russian language. . .The textbook will be useful for beginner, as well as intermediate students of Russian. .
1175 Р.
This textbook follows the same structure as its predecessor, while offering a complete overview on academic painting, a discipline that is built on traditional art education. The result of the authors four years of hard work is this well-illustrated book with excellent visual explanations that include tables, studies and paintings by old masters. The Fundamentals of Painting presents a classical system of teaching while illustrating each stage of work in very laconic, straight to the point text. The following four subjects of painting are covered: 1. Portrait, 2. Nude figure, 3. Portrait with Hands, 4. Copying.
2015 Р.
This textbook follows the same structure as its predecessor, while offering a complete overview on academic painting, a discipline that is built on traditional art education. The result of the authors four years of hard work is this well-illustrated book with excellent visual explanations that include tables, studies and paintings by old masters. The Fundamentals of Painting presents a classical system of teaching while illustrating each stage of work in very laconic, straight to the point text. The following four subjects of painting are covered: 1. Portrait, 2. Nude figure, 3. Portrait with Hands, 4. Copying.
2015 Р.
A reflection of the customs, ideas, and aspirations of the time via still lifes. The still life, the most primordial of painting subjects, had its peak between the late Middle Ages and the 17th century. In this book, Norbert Schneider explores the still life's insights into changes of mentality and philosophy as well as its role in the history of scientific discoveries and the gradual replacement of the medieval concept of the world. About the author: Norbert Schneider (b. 1945) is Professor of Art History at the University of Karlsruhe. His research focuses on art history of the Middle Ages and early modern times (and the history of genres of painting) the methodology of art studies, and the history of philosophy. His numerous books include TASCHEN's The Art of the Portrait: Masterpieces of European Portrait Painting, 1420-1670 and Jan Vermeer: The Complete Paintings.
1012 Р.
As the sophistication of computer-based drawing and painting programs has increased in recent years, so the popularity of fantasy art has grown and been taken up by a wider audience. Produced in association with brand-leading magazine "ImagineFX", this book instructs readers on a step-by-step basis how to produce top quality digital fantasy in a variety of styles from manga to gothic. With reference to a small number of creative painting programs (including Corel Draw, and Corel Painter) which are world standard and suitable for Macintosh and PC, the book explains in plain language, and with the help of step-by-step screen grabs, how to progress from basic 'pencil' roughs to first stage line art and ultimately finished colour art. Included are a series of 'Fantasy Master' profiles throughout the book from leading fantasy artists — Boris Vallejo, Alan Lee, Todd Lockwood, Jim Burns, Linda Begkvist, and many more. The book also targets specific aspects of art creation, including making your characters lifelike, creating scenes as diverse as manga and fairy woodlands, 3D imagery, speed painting, producing oil, watercolour and other effects. (20,000 words). It is a complete practical guide to creating digital fantasy art. It is produced in association with "ImaginFX", the world's leading fantasy magazine. The future titles include "Fantasy Art Landscapes" and "Fantasy Art Creatures".
2299 Р.
As the sophistication of computer-based drawing and painting programs has increased in recent years, so the popularity of fantasy art has grown and been taken up by a wider audience. Produced in association with brand-leading magazine "ImagineFX", this book instructs readers on a step-by-step basis how to produce top quality digital fantasy in a variety of styles from manga to gothic. With reference to a small number of creative painting programs (including Corel Draw, and Corel Painter) which are world standard and suitable for Macintosh and PC, the book explains in plain language, and with the help of step-by-step screen grabs, how to progress from basic 'pencil' roughs to first stage line art and ultimately finished colour art. Included are a series of 'Fantasy Master' profiles throughout the book from leading fantasy artists — Boris Vallejo, Alan Lee, Todd Lockwood, Jim Burns, Linda Begkvist, and many more. The book also targets specific aspects of art creation, including making your characters lifelike, creating scenes as diverse as manga and fairy woodlands, 3D imagery, speed painting, producing oil, watercolour and other effects. (20,000 words). It is a complete practical guide to creating digital fantasy art. It is produced in association with "ImaginFX", the world's leading fantasy magazine. The future titles include "Fantasy Art Landscapes" and "Fantasy Art Creatures".
2299 Р.
This is the 3rd and last textbook in the series of "Fundamentals of Art". The previous two editions are dedicated to Fundamentals of Drawing and Fundamentals of Painting. In the book Fundamentals of Composition, the author, on the basis of his own creative work and experience working with students, tried to show and explain how the painting is born. On the examples of outstanding Russian and foreign artists, he shows the process of working on sketches and explains the importance of collecting material when creating a realistic work. Professor V. A. Mogilevtsev introduces the reader to visual means and talks about the most important of them. The text is accompanied by a large number of illustrations. The visual information carries the main information load, which makes this book the most understandable and convincing for young artists. This textbook will be interesting for anyone who wants to comprehend the secrets of professional art excellence.
2015 Р.
This is the 3rd and last textbook in the series of "Fundamentals of Art". The previous two editions are dedicated to Fundamentals of Drawing and Fundamentals of Painting. In the book Fundamentals of Composition, the author, on the basis of his own creative work and experience working with students, tried to show and explain how the painting is born. On the examples of outstanding Russian and foreign artists, he shows the process of working on sketches and explains the importance of collecting material when creating a realistic work. Professor V.A. Mogilevtsev introduces the reader to visual means and talks about the most important of them. The text is accompanied by a large number of illustrations. The visual information carries the main information load, which makes this book the most understandable and convincing for young artists. This textbook will be interesting for anyone who wants to comprehend the secrets of professional art excellence.
2015 Р.
This is the 3rd and last textbook in the series of "Fundamentals of Art". The previous two editions are dedicated to Fundamentals of Drawing and Fundamentals of Painting. In the book Fundamentals of Composition, the author, on the basis of his own creative work and experience working with students, tried to show and explain how the painting is born. On the examples of outstanding Russian and foreign artists, he shows the process of working on sketches and explains the importance of collecting material when creating a realistic work. Professor V. A. Mogilevtsev introduces the reader to visual means and talks about the most important of them. The text is accompanied by a large number of illustrations. The visual information carries the main information load, which makes this book the most understandable and convincing for young artists. This textbook will be interesting for anyone who wants to comprehend the secrets of professional art excellence.
2015 Р.
This popular book provides all the information you need to get started in watercolour painting. Full of clear, simple advice and more than 70 step-by-step demonstrations, Watercolour for the Absolute Beginner will teach even the least confident of beginners the skills and techniques needed to start painting. In this easy-to-follow, step-by-step guide, three professional artists explain all the basic watercolour techniques. Top TV artist Alwyn Crawshaw demonstrates the basic techniques including brushstrokes, colour mixing and depicting distance and foreground to get you started in watercolour. Lecturer and Artist Sharon Finmark explains how you can paint realistic figures, covering scale and proportion, mixing convincing skin colours and portraying movement and light effectively. Artist and teacher Trevor Waugh demonstrates techniques for painting animals - domestic, farmyard and wild. Starting with simple animal shapes, Trevor takes you through the rudiments of 3D shapes, tone and colour and the tricks of using foreshortening in your work.
3429 Р.
1942.7 Р.
The painterly gestures of personal feelings Hailed as the first American-born art movement to have a worldwide influence, Abstract Expressionism denotes the non-representational use of paint as a means of personal expression. It emerged in America in the 1940s, with lead protagonists including Jackson Pollock, Philip Guston, Robert Motherwell, Mark Rothko, and Willem de Kooning. Abstract Expressionism spawned many different stylistic tendencies but two particularly prominent sub-categories: action painting, exemplified by de Kooning and Pollock, and color field painting, made most famous by Rothko. Throughout, Abstract Expressionists strove to convey emotions and ideas through the making of marks, through forms, textures, shades, and the particular quality of brushstrokes. The movement favored large-scale canvases, and embraced the role of accident or chance. With featured works from 20 key Abstract Expressionist artists, this book introduces the movement which shifted the center of art gravity from Paris to New York and remains for many the golden moment of American art.
1912 Р.
Copyright © 2016-2023 dm-element.ru. All Rights Reserved